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What is a pop filter?

Are you frustrated by the loud pops that keep appearing in your vocal tracks when recording vocals at home? A pop filter may be necessary. Pop filters are necessary to record radio-ready vocals. This article will explain what a pop filter looks like, how to use it, and which types you can get.

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What is a Pop Filter?

Have you ever seen a video of your favorite artist singing in a studio? Most likely, you saw a black and strange circle between them and their microphone .Pop filters are a small circle of thin metal or nylon mesh placed a few inches from the reflection filter for microphone. The microphone stand is attached to it via an adjustable gooseneck mount made of metal. A singer should always stand at least a few inches from any filter when recording his or her voice.

Why is this? But why do you need one?

Why do you need a pop filter?

plosives can be stopped with simple – pop filters when you use words that contain hard letters like P’s or T’s, you get plosives. Imagine singing ” break me hear T ” into the microphone. The microphone’s capsule will be flooded with air, which causes it to overload. The microphone will “pop” at this point. Pop filters do exactly what they sound like: They filter out pops from your vocal sound. It disperses air from your mouth in various directions. It doesn’t then hit the microphone in one blast. This prevents your plosives from sounding harsh during recording. The sound of plosives is louder when recorded in microphones than it is in the real world. While you don’t have to keep a pop filter in your pocket for every song you sing, it is important to have a pop filter for recording vocals. Condenser mics have a lot of plosives. This is due to the proximity effects.

The proximity effect refers to the phenomenon where the low end of a vocal gets louder and louder as the singer is closer to the microphone. A plosive has a lot of low-end energy so it is amplified in condenser microphones. This means that a condenser mic with a pop filter is a must. However, using a pop filter with a dynamic mic or ribbon microphone is helpful but not a strict rule. But, it’s safer to be safe than sorry. Place the pop filter about 2-6 inches from the microphone to ensure that it works properly. Place the singer just a few inches from the filter. The singer can also choose to sing directly through the filter if they prefer. The intensity of the plosives is not affected by it. This is a preferred method for vocalists to keep their distance from microphones. I recommend that you adjust your pop filter to 30-45 degrees higher or lower if you have a loud singer. This increases the wind-dispersal power of the filter. This means that less wind-dispersal power reaches the microphone. Your filter should be used as a mirror. It doesn’t matter which way you point it; the wind will blow in the same direction.

Pop Filters: Two Types

Pop filters come in two varieties: one made from nylon mesh and one made of thin metal. The original version of this tool is the nylon mesh pop filters. They have been in use for many decades. These are on average $20, depending on which brand you purchase. Mesh pop filters make a great choice. They will do a great job at stopping plosives. Some engineers believe that mesh pop filters can cut off some vocals’ top ends. Metal pop filters were introduced to combat this problem. Metal pop filters were only invented a few years ago. They are typically tougher than mesh, so they will last longer. They can also be washed easily. Over dozens of uses, you can easily get rid of any spit. They claim to preserve the vocal’s top end. The mesh version has not been shown to have this issue. A metal filter can make vocals sound more natural. A metal filter will cost around $50 on average depending on which brand you choose. Which one should you choose? To be honest, you should buy whatever is within your budget. You will get a longer-lasting metal filter and it won’t break while being washed. The mesh filter is inexpensive, reliable, and easy to replace. A metal filter is a good option if you are looking for something more luxurious. A mesh filter is fine if you don’t have the budget for a metal filter.

What about a Windscreen?

Many people wonder if windscreens are an option to pop filters. One word…no.

Windscreens are large foam cylinders that are attached to microphones for recording outdoors. These are made to deflect wind from being outside during interviews, concerts, and film shoots. They are and not designed to withstand the concentrated wind of a plosive. The windscreen doesn’t stop the plosive because the singer is so close. However, they do but take a lot out of the sound of your microphone’s top end. They don’t help with plosives and make your vocal sound worse. Avoid using windscreens unless you’re using them for the purpose they were made for.


This is the most important lesson you can take away. Preparation is important. Do you want professional-sounding vocals? It takes time and effort to ensure that your vocals sound professional before you press the record button.


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